Endtroducing... [VINYL]

Product Information

The album's content features both moody, slow-paced tracks and upbeat jams reminiscent of DJ Shadow's early hip hop influences.

We carry a broad range of CDs and vinyl (7”/12” singles and LPs) and specialise in indie, alternative, rock, punk, metal plus a few other genres. DJ Shadow for me changed the direction of Breakbeat using movie Score type melodies and Samples in a unique way. Donuts began simply enough as an idea to turn a particularly good demo beat tape into a full-length release, and has since became a classic hip-hop album, one of the defining works of J Dilla's life. The DJ built songs out of layer upon layer of sampled instruments and other sound fragments, most of which he processed, looped and re-arranged far beyond recognition.A 1991 landscape-changing release from the pioneering hip-hop group, The Low End Theory embraced a minimalist approach and set the tables for the alternate rap movement that followed. Nowhere on the sleeves nor labels do the words "Originally released in 1996" appear on this release. it flips hip hop inside out all over again like a reversible glove, and again, and again, and each time it's sudden and new.

Due to inventory and accounting purposes, we do not exchange items received for different items than originally purchased. Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. What resonated about Endtroducing when it was released in 1996, and what makes it still resonate today, is the way in which it loosens itself from the mooring of the known and sails off into an uncharted territory that seems to exist both in and out of time.There’s an Abbey Road Half - Speed Master of the original LP, as well as a separate 7” fe aturing Cut Chemist’s classic remix of ‘The Number Song. Condition - This item is in Excellent condition or better (unless it says otherwise in the above description).

There’s a long sleeve tee, a heather green short-sleeved option, and a limited-edition gold colorway. From those smokey Mo’ Wax days back in the mid 90s, one of the pinnacle achievments of turntable sampling and recycling. digipack with hype sticker, 36-page booklet with tracklist printed on an insert between digipack and cellophane.They both bear the black labels BUT the first one is definitely a digitally sourced record when the latter is the same pressing as the original from 1996. s Aquemini is the ambitious third studio release from the hip hop duo OutKast and follow-up to 1996's ATLiens. I have the original UK 1st pressing, and this repress, and head-to-head they sound virtually identical. by DJ Shadow accomplishes both of these and more, to create a work that is not just cohesive like most great albums should be (with the exception of 'great sprawl' albums e. Davis is not only a master sampler and turntablist supreme, he is also a serious archeologist with a world-thirsty passion for seeking out, uncovering and then ripping apart the discarded graces of some other generation, that pile of broken dreams, and sewing them back together into a tapestry of chronic bleakness and beauty.

is the debut studio album of American music producer DJ Shadow, released on November 19, 1996 on the record label Mo' Wax. Features the singles 'Midnight in a Perfect World', 'Stem' and 'What Does Your Soul Look Like (Part 1)'. received universal acclaim from critics, who praised DJ Shadow's approach to sampling and the beats he created from samples. was produced by Shadow in the span of two years using minimal equipment, most notably the Akai MPC60 sampler. There are some interesting phasing effects that are well realized on speakers but I'd say that this album is probably just as at home on good headphones as speakers.

Josh Davis, could be credited with bringing newfound introspection to the gloating sounds of hip-hop. With a message as fragmentary as an overheard conversation, Endtroducing conveys no apparent conclusion, but begs the mind, body, and soul for some rewind. received widespread acclaim from critics, who praised DJ Shadow's approach to sampling and the beats he created from samples. A seminal, incredibly influential hip hop release (also regarded as pretty much the last word in instrumental 'trip hop', a term used a lot at the time), 'Endtroducing' is simply one of the defining albums of the 90s. Shadow’s friends, Tom Shimura (Asia Born) blurry dude in a white wig and sweater, and right behind him Xavier Mosley (Chief Xcel).